Drawings of Victor Hugo![]() The great romantic painter, Delacroix, wrote to Victor Hugo that, had he decided to become a painter instead of a writer, he would have outshone the artists of their century. "Once paper, pen-and-ink-well have been brought to the table, Victor Hugo sits down and without making a preliminary sketch, without any apparent preconception, sets about drawing with an extraordinarily sure hand not the landscape as a whole but any old detail. He will begin his forest with the branch of a tree, his town with a gable, his gable with a weathervane, and little by little, the entire composition will emerge from the blank paper with the precision and clarity of a photographic negative subjected to the chemical preparation that brings out the picture. That done, the draftsman will ask for a cup and will finish off his landscape with a light shower of black coffee. The result is a unexpected and powerful drawing that is often strange, always personal, and recalls the etchings of Rembrandt and Piranesi." Charles Hugo |
||||
![]() |
Victor Hugo "Pêcherie at night", Painted in Jersey Indian ink, brown ink, washes, charcoal and a little blue ink, 220mmx170mm. |
|||
![]() |
Victor Hugo Paysage Brown ink spread on paper |
|||
![]() |
Victor Hugo Abstract Composition Sepia/brown ink wash on vellum paper 5x9 in |
|||
![]() |
Victor Hugo Taches with fingerprints, 1864-65 Brown ink and wash spread with fingers on cream paper 10x7 in. |
|||
![]() |
Victor Hugo "Justicia", 1858 Sepia, wash and indian ink, 53 x 35 cm, Hauteville House Germany |
|||
![]() |
Victor Hugo "The King of the Auxcriniers", c. 1864 Pen and wash, 19 x 25 cm, Bibliotheque Nationale Paris |
|||
![]() |
Victor Hugo Voilures Taches of brown ink, graphite pencil |
|||
![]() |
Victor Hugo Pattern Composition Stencil with washes, brush and pen on paper |
|||
![]() |
Victor Hugo "Silhouette fantastique", ca. 1854 Charcoal, stencil painted over with ink wash |
|||
![]() |
Victor Hugo Composition with taches ca. 1875 Wash of bluish ink on creme-laid paper, folded in two 17x21 in. |
|||
![]() |
Victor Hugo "The Mouth of Darkness", c. 1855-6 Wash, 18 x 12 cm, Private Collection, Paris |
|||
![]() |
Victor Hugo "Heraldic eagle" (Study of an eagle for a coat of arms), painted in Jersey ca. 1855. Silhouette of fine cut-out marked out with soft charcoal. Penned and painted in brown and blue ink with some lace print worked into the body of the bird. |
|||
![]() |
Victor Hugo "Old House" ca.1856 Ink wash on paper cut-out, mounted on a support |
|||
![]() |
Victor Hugo "Le Gai Château" Flandres ca.1847 Ink wash on paper |
|||
![]() |
Victor Hugo Mushroom, ca. 1850 Ink wash on paper |
|||
![]() |
Victor Hugo Calling Card, 1855 Ink wash on paper |
|||
![]() |
Victor Hugo "The Snake", c. 1866 Pen, Sepia and gouache, 31 x 47 cm, Maison de Victor Hugo, Paris |
|||
![]() |
Victor Hugo "The Wave" or "My Destiny", 1857 Pen, wash and gouache, 17 x 26 cm, Maison de Victor Hugo, Paris |
|||
![]() |
Victor Hugo Octopus with the initials V. H., ca. 1866 Ink wash on paper |
|||
![]() |
Victor Hugo Lace impression, ca. 1855 Ink wash on paper |
|||
![]() |
Victor Hugo (recto) Lace impression, spectral form ca.1855 Pen and ink wash on blue paper |
|||
![]() |
Victor Hugo "Lace and Ghosts", c. 1855-6 Wash (lace imprint) and ink, 6.5 x 6 cm, Maison de Victor Hugo Paris |
|||
![]() |
Victor Hugo "The Casquets" rocks between Jersey and Guernesey Sepia ink and watercolor wash on paper |
|||
![]() |
Victor Hugo "Setting sun", painted in Jersey 1852-1855. Ink wash on paper |
|||
![]() |
Victor Hugo "Planet", c. 1866 Pen and wash, 29 x 21 cm, Bibliotheque Nationale Paris |
|||
![]() |
Victor Hugo Torquemada Ink wash on paper |
|||
![]() |
Victor Hugo Town with tumbledown bridge, 1847 Ink wash on paper |
|||
![]() |
Victor Hugo "The Dead City", c. 1850 Ink, wash, charcoal (scraper), 42 x 64 cm, Lucien Scheler Collection, Paris |
|||
![]() |
Victor Hugo untitled drawing Pen and sepia ink wash and white gouache on paper |
|||
![]() |
Victor Hugo untitled drawing Pen and sepia ink wash and white gouache on paper |
|||
![]() |
Victor Hugo "The Upper Rhine", painted in Jersey, January 1st, 1855 Pen and brown ink wash, blue and sienna watercolour, highlights of white gouache; painted and blurred with feather and fingerprints on beige paper. Framed with a thin band of gilt paper and mounted on vellum. (60mmx190mm) |
|||
![]() |
Victor Hugo Ruined Aqueduct ca. 1850 Pen, brown-ink wash, black ink, graphite, black crayon, fingerprints and reserves (stencilling) on beige, gilt-edged vellum paper, partly rubbed (taches on verso) 9x12 in. |
|||
![]() |
Victor Hugo "Hic clavis, alias porta" (The key is here, the gate elsewhere) 1871 Pen, brown-ink wash, black ink, graphite, black crayon, charcoal, reserves and fingerprints or dabbings with highlights of white gouache on vellum paper, partly rubbed and scraped 18x18 in. |
|||
What Hugo was searching for in these drawings were signs that would stimulate his imagination and suggest directions for his pen. Hugo interpreted these foldings, not for psychological purposes like the Swiss physician Hermann Rorschach with his famous tests introduced in 1921, but like a seer. He developed the symmetry, discerned resemblances, discovered figures and carried out all kinds of permutations. Reversal (or, better still, reversability), metamorphoses and fusion were themes so firmly rooted in Hugo's praxis that one commonly finds in his compositions a landscape reflected in water or a figure that reads equally well either way up. Florian Rodari. |
||||
| Links: | |